Dostoevsky 's what kept a lot of very nice novel nor a fool 's, I think pretty well from the example depicted in other books, is the most influential female characters. His depressed mood, his selfishness, his concealment of his emotions and his attempt to play someone he is not actually (wearing a mask) reminds me of the common character most recently observed in the new generation born in the late eighties and over (nineties) and makes me nervous about the future.
Nastasya filippovna, the legendary female character of "the ideot" from Dostoyevsky's magnificent trio. If nastasya is to be spoken with the eyes of the prince mishkin, the main character of the novel, major depressive, depressed, lonely as cigarette ash, crazy maybe crazy .. actually it is nastasya. but a much more impressive and certainly more attractive character than tostoy's anna karenin, balzac's henriette, hügo's esmeralda. Moreover, he is smart enough to make fun of himself, to blame himself. (see uncle oghuz, making fun of himself) and nastasya who mocks himself and is in conflict with society enough to blame himself, he vomits blood around him and naturally he is branded as "crazy girl" according to the conditions of that day. Whereas this fantastic character is alive today, oh, he's just a la femme fatale .. it doesn't hurt, it hurts like in the novel ..
filipovna is a concrete indicator of what pride can do to a woman and how it will shape her.
She is my favorite book character, versatile, altruistic, abused. It is as deep as Dostoevsky's other female characters. Please do not confuse it with a few string characters.
from the people I love without seeing. madness, sad laughter always remind me of someone.
My biggest wish about this character was to see him dressed in flesh and bones by a great actor. It turns out it's even more successful than I could have imagined. In his 1951 adaptation of kurosava, by the unique setsuko hara
Nastasya is a character who broke from Dostoyevsky's soul and gained life with words. In fact, she has described her beauty so well that Dostoyevsky, the reader wonders, is she really a woman as beautiful as she formed in her thoughts in the writer's thoughts? The woman herself and the other men around her are also aware of this fascination, including the prince mash. The prince chose mişkin, the princess lying inside Nastasya, and they will also marry. But something goes wrong, the woman sees another sparkle in the prince's eye, a sparkle reflected from another woman. As proud as her beauty, nastasya knows what passion means and she never chooses to be second plan or she will not. The moment he feels a tiny 'wonder' crumb in his prince's eyes, he will throw himself to death and take his passions together.
The ideot character I don't understand why he was killed.
Our dostoyevsk says that rogojin killed Nastasya filippovna, but leaves the comment to the reader, not saying why he did it.
When he first sees the portrait of Nastasya Filipovna, he succumbs to the murmur of a "really beautiful woman" that he passes through. He was fascinated, he fell in love the first time he saw her. "I am nothing, but you have suffered and thus come out of a hell clean." from the date of his word, your sentence is lost.
kundera that this is a unique method of temptation; When you say, "you have suffered so much," he says, "you would have spoken directly to the soul of the woman, caress or even glorify her". so the woman whose soul is touched once becomes ready to say, according to kundera: "You haven't got my body yet, but my soul is yours."
but the mind cannot benefit from it.
The possibility of nastasya filipovna's sudden appearance (including the optimism that he will return to the mishkin), with the epileptic seizure likely to occur at any moment, puts tension on the whole book. Dostoyevsky puts almost dozens of characters into the whole book, almost with a double emotional track dominated by these two. every character has suffered in some way. The two women who suffered the most seem to have fallen in love with the character. for you are preserved by the frustrated joys and joys abandoned tomorrow; He always tries to say that the suffering of others, even though they are not aware of it, is cleared both in their own conscience and in the conscience of the soul itself, equaling at a certain moment of purity.
The most suffering character of the book, both physically and spiritually, is like the call of the alterego of the exits of ippolit, who invites him to pay redemption every time.
nastasya filipovna; He actually said the last word when the rogojin showed that night by stabbing his heart to a depth of one and a half or two fingers and then commanding the mışkin, lying side by side and getting up in the minds of both of them. The immortal woman who is mind-blowing whether she is alive or dead:
`` (...) nastasya filipovna,
Your name is a dangerous fold on every lip
They say you measure your cheeks with snow
Your hair is home to the winds
(I'm not telling them anyway)
and your eyes were a bottleneck, their cars
rolled inside, mixed them
you took from counting and profits
measure your cheeks "
`: ingeborg bacmann`
Love does not always reach those who know how to love and show effort. In the idiot novel, 4 men have a relationship with nastasya; the first name is general ivolgin; The family man gets together with nastasya without spoiling his image. it does this with the planned lifestyle of business people. So for example, they rent a house, they drink vodka together, eat dinner and then have sex.
ganya is the person who aspired to nastasya as a sort of secretary of the general; Although ganya did not like nastasya, he agreed to marry nastasya at first in order to reach a good status, to please those around him, and to be with a little beautiful woman. but later, when he begins to believe that nastasya is a slut who has gotten under this, he does not want nastasya.
Rogojin, who came before mişkin, is in the profile of a lover who, although he does not know how to love, works for his love, spends money, does not hesitate to go to the end; they live with nastasya throughout the novel; He takes Nastasya with him with the money left from his father; take Nastasya around in decorated troika; does not avoid expenses; He prefers to live a prison life for Nastasya, just as Proust did to Albertine.
The interesting thing is that another lover who worked for his love was not loved this time, or even hated. nastasya filipovna does not like rogojin; According to nastasya, rogojin is a true lover; but he does not know how to make his lover laugh, have fun with him, how to caress the soul of a woman; nastasya is not searched, but even if the thing he has to find comes across, he will not be willing to be stung to him.
There is no change in nastasya's behavior until it meets the mash; The reaction is the same when he first sees the mişkin; but in the following chapters of the Fool it is noticed that the mash is neither like Lebedev nor Ferdishchenko; He is like an innocent child inside out; here probably comes into play the disappointments Nastasya was afraid to expose; because everyone inevitably behaves the same in their lives; No matter how bad experiences we have, we all put a shield inside us, just as the soldiers guarding the castle piled up in front of the castle gate and want to prevent the enemy outside from entering and capturing the castle, we all put a shield inside us, we shield over that shield to prevent others from seeing all our pain and troubles. The man realizes that, he sees that Nastasya hides all the pain and starts to go slightly crazy like most Turkish women after the age of 30, and he suffers for it.
but nastas is a bit like a turkan şoray in vesikalı yarim; Türkan Şoray realizes that she will lose İzzet Günay and decides to end her relationship; but mainly in the hands of Türkan Şoray İzzet Günay; He can make him do what he wants; but here, Türkan Şoray thinks about the goodness of the man he loves, because he is afraid that his movement will destroy his family; Nastas, or towards the end of the novel, cannot bear mashhish's choice of high society, aglaya, who acts irresponsibly like tikky girls from Yeditepe University. Even though he knows that he can continue his relationship with the mash in any way, just like vesikalı half, dark corners in his past and past prevent him from being happy in the future; He changes his mind and says "take me away from here rogojin" and thus reveals the signs of his illness.